About Heidlberger's Theoria 19
Theoria is an annual peer-reviewed journal on all aspects of the history of music theory. It includes critical articles representing the current stage of research, and editions of newly discovered or mostly unknown theoretical texts with translation and commentary. Analytical articles on recent or unknown repertory and methods are also published, as well as review articles on recent secondary literature and textbooks. Back issues are available from Texas A&M University Press.
Theoria Vol. 19 (2012) includes articles by Daniel Arthurs on “Reconsidering Marchetto’s Division of the Whole Tone”; Kyle Adams’ “Mode Is Real: A Re-examination of Polyphonic Modality”; Jeffrey De Thorne on “Hugo Riemann and the Monochromatic Klang of Orchestration”; and Part I of Charlotte Cross’ examination of “The Second Manuscript T37.08 at the Arnold Schoenberg Center,” on “Problems of Identity and Dating.”
About the Editor
FRANK HEIDLBERGER is professor of music theory at the University of North Texas. He received his degrees in musicology at Würzburg University (Germany). He has published numerous books and articles on music history and theory of the 16th to 20th centuries, particularly on Italian instrumental music around 1600, 19th century composers Carl Maria von Weber, Hector Berlioz, and Giacomo Meyerbeer, and 20th century composer and theorist Paul Hindemith.